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The difficulty about this popular view is, in the first place, that it attributes to Iago what cannot be found in the Iago of the play. In a brief soliloquy, Iago recognizes the effect he is having as “the Moor already changes with my poison.” Iago continues the metaphor he created in Act II, Scene 3 in which he compared his lies to a pestilence he would pour into Othello’s ear. Iago suggests that Othello ‘is of a constant, loving, noble nature’ and he will prove ‘a most dear husband’. It is as though Iago mocks the audience for attempting to determine his motives; he treats the audience as he does Othello and Roderigo, leading his listeners "by th' nose as asses are [led]". Othello cannot stand uncertainty; it drives him to destroy his sanity. Iago scorns the love between Othello and Desdemona, saying it was born of a ‘violent commencement’ and he assures Rodrigo that such hasty passions will soon cool. Iago’s ‘love’ of Desdemona is alluded to in the second soliloquy; there is not the faintest trace of it in word or deed either before or after. The scene gives a chance for a Cassio-Desdemona relationship to be shown, which, while it does not actually support, could support Iago’s plot. The suspicion of Cassio's intrigue with Emilia emerges suddenly, as an after-thought, not in the first soliloquy but the second, and then disappears for ever. At this point in his scheme, Iago has sufficiently aroused Othello’s jealousy The soliloquy is important as it reveals how central Iago will be in Othello’s fall. Othello Character Analysis 1124 Words | 5 Pages. There is a sense of certainty that without Iago’s interventions the relationship between Desdemona and Othello will … Here Iago invents or discovers a motive or two more for his villainy. Othello's insecurities are so close to the surface that a few words of hint and innuendo from Iago can tear the confident exterior and expose his fears, desires, and tendency to violence. However, once he makes a decision, he is again the military man, decisive in action. He sneers that such men are easily led. Iago sees Othello’s ‘free and open nature’ as a weakness and plans to exploit this. Whilst Iago does try to communicate multiple reasons for his motives in wanting to destroy Cassio and Othello these are mere rationalisations and excuses to provide justification for his evil actions and can only be accepted when analysing Othello on a surface level. In the soliloquy which concludes the scene, we see something in sharp contrast with Iago’s assumed character. In the second scene, after several long speeches by Claudius giving us political background, we come to Hamlet’s first soliloquy. than a devious mastermind and Machiavellian of the Shakespearean tragedy, Othello. 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